Some additions to last week's blog on Structuralism:
The Structuralists, not least among them Freud, Marx, de Saussure, Barthes, Lévi-Strauss and Derrida, advocated that there are structures that we have unwittingly created that lie beneath the institutions, the practices, the customs, etc that make up culture. Our cultures.
After identifying an underlying structure - a move that often requires at least intellectual courage - the next step is to question the accepted history of the origins of the structure. Or, as Derrida says, what is needed is to follow 'the traces' of the accepted history. This is what Derrida says Lévi-Strauss did. So far so good.
But according to Derrida, Lévi-Strauss did not go far enough. Although Lévi-Strauss questioned the history of underlying structures, he failed to question the meanings applied to the histories.
Specifically, Lévi-Strauss, identified, isolated and separated the structure. His mistake, however, was not to re-define what he had identified, or to allow it to be re-defined. Rather, to a structure identified as lying outside what we take to be 'normal', Lévi-Strauss gave the very same unexamined, unquestioned meaning and value that we unthinkingly apply to structures within 'the normal'.
Derrida continues that to unthinkingly, reflexively do this is to also fall into the trap of not acknowledging that although there are categories that separate, the meaning of what is being categorised can itself sometimes defy categorisation. How?
One meaning may indeed land in more than one category - and still be correct. For Derrida, Lévi-Strauss erred in not recognising the permeability of categorical walls, and ultimately, in overlooking that there is no 'truth' because no truth is objective enough to be recognised as such.
Saturday, March 23, 2013
Sunday, March 17, 2013
Structuralists such as de Saussure and Barthes
Words
differently arranged have different meanings, and meanings differently arranged
have a different effect.
- Blaise
Pascal
de
Saussure, Barthes, Lévi-Strauss and Derrida all took an interesting exploring
underlying structures that give meaning, but using the hermeutics of language,
and specifically, the relational aspect of language. De Saussure explored the
underlying structure of language. Barthes looked at the underlying structure of
expression, its use of symbols that are manipulated by the many different
facets of media.
de
Saussure dissected language through grammar - how language is used - but did so
in a static manner. For him, a sign (and its ‘network of connections’) was
composed of the sign (the signified + the signifier), which equaled the thing
agreed upon. De Saussure limited himself just to the sign and its signifier, and
chose to ignore what I would call context, what Terry Eagleton calls ‘referent’
(Leitch 2000: 959). It is that to which the signifier is referring.
Barthes
took de Saussure’s equation a step further. For him, the visual symbol, in
which is embedded the signified + the signifier, equals the thing agreed upon –
that is then further used the basis for ‘myth’.
It
would seem that for Barthes, myth is created for and used as Marx’s ‘opiate for
the masses’. It gives ‘the masses’ something to rally around, a symbol to stand
behind, something in which they can claim identity. How?
The
‘visual’ is broadcast to the public by the many facets of the media. The
symbolism (signifier) of the symbol (the visual object that is signified) says
‘this is what the symbol means’ and ‘this is who you are’.
What
Barthes today points out seems mundane and obvious. In the 1950s, however, in
the midst of the transition and transformation taking place, it is easy to
understand how his insight was groundbreaking, particularly in light of his
conviction that the ‘new’, the ‘modern’ is what ‘society experiences as cathartic’.
A
question remains, though. Barthes speaks of ‘readerly’ and ‘writerly’ texts.
The latter is more challenging, and also like a fetish in the pleasure that it
gives. But is this seen from the writer’s point of view, because he is the one
apportioning meaning to the words used? Whereas, with a ‘readerly’ text, there
is no challenge as the words are not used outside their agreed upon meaning.
This is the question….
Bibliography
Leitch,
Vincent B. 2001
Norton
Anthology of Theory and Criticism
New
York: W.W. Norton & Company, Inc.
Sunday, March 10, 2013
Limited Rationalism
Freud, Derrida
If,
say, Einstein, Freud, Darwin and Marx have in the twentieth century helped to ‘revolutionise
the modern Western conception of human life and its place in the universe’ (Leitch
2001: 913), who in the twenty-first century could be said to be of equal
stature and influence?
The
aforementioned came to prominence during – as a result of? - the industrial revolution that, during
their time, was still gaining in power. If we in the West have been living in a
post-democracy since the last half of the twentieth century (Crouch 2009), and
if our revolution has been in services rather than industry, does the question
of ‘how we conceive of human life and its place in the universe’ remain
relevant? Is the question actually a universal quest always to be investigated,
but that provides no definitive answer?
Business
publications seem to identify the movers and shakers of the twenty-first
century as those people who have created the most-used businesses; or people who
have become (the how is rarely questioned) the richest people on earth. It is the
status of ‘rich’ and ‘richest’ that seems to fascinate readers and publishers
alike. Indeed, our fascination with the accumulation of wealth seems to be our fetish
(Leitch 2001: 917) so far in this century.
Other
publications, touted as less Western-centric because their lists include
foreign figures who are nonetheless known to Western audiences, seem to report
on people who have big ideas designed to help the most wretched of the
unfortunate.
But the
scope of the ideas, and to get them up and running, means that the creative
types behind the ideas must rub shoulders with the rich and powerful. Soon
enough, the trail of who is most influential in the twenty-first century seems
to lead back to the figures situated at the apex of the relationship between
money and power.
But
have these movers and shakers, the people in power with power, actually ‘revolutionised
the modern Western conception of human life’? Or has their influence been more
subtle, but no less pervasive: have they simply had the greatest impact on how
modern Western human life is lived? Is the question of how we discern our place
to be in the universe a topic of serious pursuit in the twenty-first century? Is
it possible to have moved past the relevance of the question?
From
today’s perspective of accepting the gains in gender equality, one wonders at
how Freud could not see that the world he took to be normal was shot through
with bias and inequality. The underlying, overlapping structures of patriarchy
Freud did not identify. Perhaps this points to the truth of ‘the personal is
political’: we see as issues to be addressed those issues that irritate us,
personally.
If we
solve the issue, or uncover portions of it as did Freud, then perhaps we have
only succeeded in making the personal public, which should not diminish its
truth. It is just that the motivating factors must too be taken into account, be
deconstructed in order for the whole to be understood.
Bibliography
Crouch, Colin 2009.
Post
Demokratie.
Frankfurt
am Main: Suhrkamp.
Leitch,
Vincent
B. et al. 2001.
Marxism.
In: The Norton Anthology of Theory and Criticism.
New
York: W.W. Norton & Company, Inc.
Sunday, March 3, 2013
Marxism: The Frankfurt School
The
definition of Marxism is apt – and so pervasive (with its seven stages of
development) that it could, perhaps does, apply to all possible manifestations
of culture.
Whether
by supporters or detractors, Marxism is also usually associated with fervent
idealism, idealism that often has an aspect of negativity attached to it. It seems
to lead to pessimism, making one feel that whatever cultural manifestation
might eventually present itself, Marxism would label it doomed, and by
extension, humanity, as well.
In
comparison to Marxism is capitalism that in its description alone at times
seems to a glimmer of hope in the form of the prospect of self-autonomy.
Capitalism lurks behind the belief that the ‘big success’ could happen to you,
too. This perspective views Marxism and capitalism through the narrow prism of
economic individuality.
From an
artistic perspective, Marxism offers individuals the hope of escaping the
stifling blanket of hegemony, only to face the dangers of being labelled ‘counter
culture’ (Norton 2001: 14). It is flexibility that seems in short supply in
Marxism.
Deleuze
and Gauttari have earned their place in literature for their criticism of Freud.
He based, they say, the nuclear family on the patriarchal structure (ibid: 17)
of a man in charge and a woman at home under his thumb – as though this were
natural and not man-made.
Bibliography
Leitch,
Vincent B. et al. 2001.
Marxism.
In: The Norton Anthology of Theory and Criticism.
New
York: W.W. Norton & Company, Inc.
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